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12:20:54","wemediaEAccountId":"","source":"新華網(wǎng)","sourceUrl":"http://www.xinhuanet.com/politics/2023-10/16/c_1212289581.htm","author":"","summary":"如果文物會說話|聽景德鎮(zhèn)瓷器唱泥與火之歌","imagesInContent":[{"size":93,"width":600,"url":"https://x0.ifengimg.com/ucms/2023_42/192E6B7ED823E289510247DB38B4E89007BD4AFA_size93_w600_h900.jpg","height":900},{"size":116,"width":600,"url":"https://x0.ifengimg.com/ucms/2023_42/9408563B6AB9AA63F6E49649A8F7761698544748_size116_w600_h900.jpg","height":900},{"size":42,"width":600,"url":"https://x0.ifengimg.com/ucms/2023_42/112EF5D03C70FF097434AC9D4F7C60DC3EC2FC58_size42_w600_h900.jpg","height":900},{"size":79,"width":600,"url":"https://x0.ifengimg.com/ucms/2023_42/D0BDAACB6C90CC37203BB305AED9632D8F80DFAA_size79_w600_h900.jpg","height":900},{"size":71,"width":600,"url":"https://x0.ifengimg.com/ucms/2023_42/4604FBDFF9F5BB7E72566D6EE51283467CD33DF9_size71_w600_h900.jpg","height":900}],"bdImg":"http://d.ifengimg.com/w121_h75_q90/x0.ifengimg.com/ucms/2023_42/192E6B7ED823E289510247DB38B4E89007BD4AFA_size93_w600_h900.jpg","pcUrl":"http://uc737.com/c/8Tx0OBbueTl","url":"http://uc737.com/c/8Tx0OBbueTl","commentUrl":"ucms_8Tx0OBbueTl","skey":"053f68","voteId":"ucms_8Tx0OBbueTl","isOriginal":"0","contentData":{"contentList":[{"data":"\u003cp class=\"textAlignCenter\">景德鎮(zhèn)\u003c/p>\u003cp class=\"textAlignCenter\">一座在中國乃至世界版圖上\u003c/p>\u003cp class=\"textAlignCenter\">都獨(dú)一無二的城市\(zhòng)u003c/p>\u003cp class=\"textAlignCenter\">1000余年前\u003c/p>\u003cp class=\"textAlignCenter\">這里因出產(chǎn)的瓷器\u003c/p>\u003cp class=\"textAlignCenter\">“明如鏡、薄如紙、聲如磬”\u003c/p>\u003cp class=\"textAlignCenter\">被宋真宗以年號“景德”賜名延續(xù)至今\u003c/p>\u003cp class=\"textAlignCenter\">千百年來\u003c/p>\u003cp class=\"textAlignCenter\">一雙雙能工巧匠之手\u003c/p>\u003cp class=\"textAlignCenter\">通過“七十二道工序”\u003c/p>\u003cp class=\"textAlignCenter\">演繹出泥與火之歌\u003c/p>\u003cp class=\"textAlignCenter\">創(chuàng)造了無數(shù)令人嘆為觀止的藝術(shù)\u003c/p>\u003cp class=\"textAlignCenter\">穿越千年歷史\u003c/p>\u003cp class=\"textAlignCenter\">瓷——仍是這座城市最鮮明的標(biāo)識\u003c/p>\u003cp class=\"textAlignCenter\">今天跟隨《如果文物會說話》\u003c/p>\u003cp class=\"textAlignCenter\">聽聽景德鎮(zhèn)中國陶瓷博物館的文物\u003c/p>\u003cp class=\"textAlignCenter\">講述它們的故事\u003c/p>\u003cp class=\"textAlignCenter\">\u003cimg src=\"https://x0.ifengimg.com/ucms/2023_42/192E6B7ED823E289510247DB38B4E89007BD4AFA_size93_w600_h900.jpg\" />\u003c/p>\u003cp class=\"textAlignCenter\">元青花存世量稀少 非常珍貴\u003c/p>\u003cp class=\"textAlignCenter\">沿著綿延萬千公里的陸上和海上絲綢之路\u003c/p>\u003cp class=\"textAlignCenter\">來自阿拉伯地區(qū)的蘇麻離青\u003c/p>\u003cp class=\"textAlignCenter\">和景德鎮(zhèn)能工巧匠的高超工藝結(jié)合\u003c/p>\u003cp class=\"textAlignCenter\">成就了青花瓷器的雅致\u003c/p>\u003cp class=\"textAlignCenter\">這件青花纏枝牡丹紋梅瓶\u003c/p>\u003cp class=\"textAlignCenter\">自上而下繪有五層紋飾\u003c/p>\u003cp class=\"textAlignCenter\">分別是覆蓮瓣紋內(nèi)繪八寶紋 纏枝蓮紋\u003c/p>\u003cp class=\"textAlignCenter\">纏枝牡丹紋 卷草紋以及仰蓮瓣紋\u003c/p>\u003cp class=\"textAlignCenter\">\u003cimg src=\"https://x0.ifengimg.com/ucms/2023_42/9408563B6AB9AA63F6E49649A8F7761698544748_size116_w600_h900.jpg\" />\u003c/p>\u003cp class=\"textAlignCenter\">這件乾隆時期的粉彩鏤空蟠螭福壽字雙耳瓶\u003c/p>\u003cp class=\"textAlignCenter\">也稱轉(zhuǎn)心瓶\u003c/p>\u003cp class=\"textAlignCenter\">它由內(nèi)外兩層構(gòu)成\u003c/p>\u003cp 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如果文物會說話|聽景德鎮(zhèn)瓷器唱泥與火之歌

如果文物會說話|聽景德鎮(zhèn)瓷器唱泥與火之歌

景德鎮(zhèn)

一座在中國乃至世界版圖上

都獨(dú)一無二的城市

1000余年前

這里因出產(chǎn)的瓷器

“明如鏡、薄如紙、聲如磬”

被宋真宗以年號“景德”賜名延續(xù)至今

千百年來

一雙雙能工巧匠之手

通過“七十二道工序”

演繹出泥與火之歌

創(chuàng)造了無數(shù)令人嘆為觀止的藝術(shù)

穿越千年歷史

瓷——仍是這座城市最鮮明的標(biāo)識

今天跟隨《如果文物會說話》

聽聽景德鎮(zhèn)中國陶瓷博物館的文物

講述它們的故事

元青花存世量稀少 非常珍貴

沿著綿延萬千公里的陸上和海上絲綢之路

來自阿拉伯地區(qū)的蘇麻離青

和景德鎮(zhèn)能工巧匠的高超工藝結(jié)合

成就了青花瓷器的雅致

這件青花纏枝牡丹紋梅瓶

自上而下繪有五層紋飾

分別是覆蓮瓣紋內(nèi)繪八寶紋 纏枝蓮紋

纏枝牡丹紋 卷草紋以及仰蓮瓣紋

這件乾隆時期的粉彩鏤空蟠螭福壽字雙耳瓶

也稱轉(zhuǎn)心瓶

它由內(nèi)外兩層構(gòu)成

外層用釉上粉彩工藝與鏤空工藝相結(jié)合

腹部鏤雕壽字

在壽字的中間鏤雕福字

寓意福壽雙全

透過鏤空可以看到

里面有一個繪有花卉紋飾的青花瓷

這件作品工藝繁復(fù) 色彩濃艷明麗

足以體現(xiàn)乾隆時期制瓷工藝的精 巧 奇

天青色等煙雨 而我在等你

深究這里面的“天青”色

它所指的其實不是青花瓷

而是它

這件清代的天青釉梅瓶

深受大家喜愛

景德鎮(zhèn)四大名瓷之一的粉彩瓷

不同于其它彩瓷

它擁有著粉潤柔和的美感

以及層次鮮明的立體感

乾隆壽誕時命御窯廠燒造的粉彩百鹿尊

器身繪以山水百鹿圖

自古以來

人們認(rèn)為“滿招損,謙受益”

百鹿圖雖說百但不滿百

繪畫的紋飾也講究

“畫必有意,意必吉祥”

因鹿與“祿”同音

有百福百祿之意

繪以松樹 柏樹

寓意“松柏常青”

茶葉末釉屬景德鎮(zhèn)四大傳統(tǒng)名瓷之一的顏色釉瓷

是我國古代顏色釉瓷的重要品種之一

經(jīng)高溫還原焰燒成

釉色黃綠摻雜好似茶葉細(xì)末

綠者稱茶 黃者稱末因此得名

茶葉末釉起源于唐代黑釉

據(jù)說是因燒制黑釉瓷時窯變

而出現(xiàn)的特殊品種

清代茶葉末釉制品

以雍正和乾隆時期最為多見

“匠從八方來,器成天下走”

傳統(tǒng)陶瓷文化的積淀

鑄就了“千年瓷都”景德鎮(zhèn)

獨(dú)特的魅力與藝術(shù)氣息

這座“千年瓷都”

成為世界體驗中國發(fā)展、感知中國文化的新窗口

文化自信的窯火

在傳承和創(chuàng)新中燃起新的生命

策劃:錢彤 周紅軍

監(jiān)制:萬方 邱黎

統(tǒng)籌:戴艷 唐子蘭

執(zhí)行策劃:袁晗

文案:別培輝 王中慶

鳴謝:景德鎮(zhèn)中國陶瓷博物館

新華網(wǎng)新聞中心 新華網(wǎng)江西頻道

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