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12:20:54","authorUrl":"http://www.xinhuanet.com/politics/2023-10/16/c_1212289581.htm"},"logo":{"logo":"http://x0.ifengimg.com/ucms/2020_35/69B1E601A7AD0653F3D9FD1E4E58B3DC986A1D1E_w322_h54.png","title":"江西"},"domain":"uc737.com","base62Id":"8Tx0OBbueTl","breadCrumbdata":[{"url":"/shanklist/200-/","title":"地方站"},{"url":"http://uc737.com/","title":"江西"},{"url":"http://uc737.com/shanklist/200-213-216050-/","title":"景德鎮"}],"searchPath":"200-213-216050-,200-213-216131-216132-","title":"如果文物會說話｜聽景德鎮瓷器唱泥與火之歌","newsTime":"2023-10-17 12:20:54","wemediaEAccountId":"","source":"新華網","sourceUrl":"http://www.xinhuanet.com/politics/2023-10/16/c_1212289581.htm","author":"","summary":"如果文物會說話｜聽景德鎮瓷器唱泥與火之歌","imagesInContent":[{"size":93,"width":600,"url":"https://x0.ifengimg.com/ucms/2023_42/192E6B7ED823E289510247DB38B4E89007BD4AFA_size93_w600_h900.jpg","height":900},{"size":116,"width":600,"url":"https://x0.ifengimg.com/ucms/2023_42/9408563B6AB9AA63F6E49649A8F7761698544748_size116_w600_h900.jpg","height":900},{"size":42,"width":600,"url":"https://x0.ifengimg.com/ucms/2023_42/112EF5D03C70FF097434AC9D4F7C60DC3EC2FC58_size42_w600_h900.jpg","height":900},{"size":79,"width":600,"url":"https://x0.ifengimg.com/ucms/2023_42/D0BDAACB6C90CC37203BB305AED9632D8F80DFAA_size79_w600_h900.jpg","height":900},{"size":71,"width":600,"url":"https://x0.ifengimg.com/ucms/2023_42/4604FBDFF9F5BB7E72566D6EE51283467CD33DF9_size71_w600_h900.jpg","height":900}],"bdImg":"http://d.ifengimg.com/w121_h75_q90/x0.ifengimg.com/ucms/2023_42/192E6B7ED823E289510247DB38B4E89007BD4AFA_size93_w600_h900.jpg","pcUrl":"http://uc737.com/c/8Tx0OBbueTl","url":"http://uc737.com/c/8Tx0OBbueTl","commentUrl":"ucms_8Tx0OBbueTl","skey":"053f68","voteId":"ucms_8Tx0OBbueTl","isOriginal":"0","contentData":{"contentList":[{"data":"\u003cp class=\"textAlignCenter\">景德鎮\u003c/p>\u003cp class=\"textAlignCenter\">一座在中國乃至世界版圖上\u003c/p>\u003cp class=\"textAlignCenter\">都獨一無二的城市\u003c/p>\u003cp class=\"textAlignCenter\">1000余年前\u003c/p>\u003cp class=\"textAlignCenter\">這里因出產的瓷器\u003c/p>\u003cp class=\"textAlignCenter\">“明如鏡、薄如紙、聲如磬”\u003c/p>\u003cp class=\"textAlignCenter\">被宋真宗以年號“景德”賜名延續至今\u003c/p>\u003cp class=\"textAlignCenter\">千百年來\u003c/p>\u003cp class=\"textAlignCenter\">一雙雙能工巧匠之手\u003c/p>\u003cp class=\"textAlignCenter\">通過“七十二道工序”\u003c/p>\u003cp class=\"textAlignCenter\">演繹出泥與火之歌\u003c/p>\u003cp class=\"textAlignCenter\">創造了無數令人嘆為觀止的藝術\u003c/p>\u003cp class=\"textAlignCenter\">穿越千年歷史\u003c/p>\u003cp class=\"textAlignCenter\">瓷——仍是這座城市最鮮明的標識\u003c/p>\u003cp class=\"textAlignCenter\">今天跟隨《如果文物會說話》\u003c/p>\u003cp class=\"textAlignCenter\">聽聽景德鎮中國陶瓷博物館的文物\u003c/p>\u003cp class=\"textAlignCenter\">講述它們的故事\u003c/p>\u003cp class=\"textAlignCenter\">\u003cimg src=\"https://x0.ifengimg.com/ucms/2023_42/192E6B7ED823E289510247DB38B4E89007BD4AFA_size93_w600_h900.jpg\" />\u003c/p>\u003cp class=\"textAlignCenter\">元青花存世量稀少 非常珍貴\u003c/p>\u003cp class=\"textAlignCenter\">沿著綿延萬千公里的陸上和海上絲綢之路\u003c/p>\u003cp class=\"textAlignCenter\">來自阿拉伯地區的蘇麻離青\u003c/p>\u003cp class=\"textAlignCenter\">和景德鎮能工巧匠的高超工藝結合\u003c/p>\u003cp class=\"textAlignCenter\">成就了青花瓷器的雅致\u003c/p>\u003cp class=\"textAlignCenter\">這件青花纏枝牡丹紋梅瓶\u003c/p>\u003cp class=\"textAlignCenter\">自上而下繪有五層紋飾\u003c/p>\u003cp class=\"textAlignCenter\">分別是覆蓮瓣紋內繪八寶紋 纏枝蓮紋\u003c/p>\u003cp class=\"textAlignCenter\">纏枝牡丹紋 卷草紋以及仰蓮瓣紋\u003c/p>\u003cp class=\"textAlignCenter\">\u003cimg src=\"https://x0.ifengimg.com/ucms/2023_42/9408563B6AB9AA63F6E49649A8F7761698544748_size116_w600_h900.jpg\" />\u003c/p>\u003cp class=\"textAlignCenter\">這件乾隆時期的粉彩鏤空蟠螭福壽字雙耳瓶\u003c/p>\u003cp class=\"textAlignCenter\">也稱轉心瓶\u003c/p>\u003cp class=\"textAlignCenter\">它由內外兩層構成\u003c/p>\u003cp class=\"textAlignCenter\">外層用釉上粉彩工藝與鏤空工藝相結合\u003c/p>\u003cp class=\"textAlignCenter\">腹部鏤雕壽字\u003c/p>\u003cp class=\"textAlignCenter\">在壽字的中間鏤雕福字\u003c/p>\u003cp class=\"textAlignCenter\">寓意福壽雙全\u003c/p>\u003cp class=\"textAlignCenter\">透過鏤空可以看到\u003c/p>\u003cp class=\"textAlignCenter\">里面有一個繪有花卉紋飾的青花瓷\u003c/p>\u003cp class=\"textAlignCenter\">這件作品工藝繁復 色彩濃艷明麗\u003c/p>\u003cp class=\"textAlignCenter\">足以體現乾隆時期制瓷工藝的精 巧 奇\u003c/p>\u003cp class=\"textAlignCenter\">\u003cimg src=\"https://x0.ifengimg.com/ucms/2023_42/112EF5D03C70FF097434AC9D4F7C60DC3EC2FC58_size42_w600_h900.jpg\" />\u003c/p>\u003cp class=\"textAlignCenter\">天青色等煙雨 而我在等你\u003c/p>\u003cp class=\"textAlignCenter\">深究這里面的“天青”色\u003c/p>\u003cp class=\"textAlignCenter\">它所指的其實不是青花瓷\u003c/p>\u003cp class=\"textAlignCenter\">而是它\u003c/p>\u003cp class=\"textAlignCenter\">這件清代的天青釉梅瓶\u003c/p>\u003cp class=\"textAlignCenter\">深受大家喜愛\u003c/p>\u003cp class=\"textAlignCenter\">\u003cimg src=\"https://x0.ifengimg.com/ucms/2023_42/D0BDAACB6C90CC37203BB305AED9632D8F80DFAA_size79_w600_h900.jpg\" />\u003c/p>\u003cp class=\"textAlignCenter\">景德鎮四大名瓷之一的粉彩瓷\u003c/p>\u003cp class=\"textAlignCenter\">不同于其它彩瓷\u003c/p>\u003cp class=\"textAlignCenter\">它擁有著粉潤柔和的美感\u003c/p>\u003cp class=\"textAlignCenter\">以及層次鮮明的立體感\u003c/p>\u003cp class=\"textAlignCenter\">乾隆壽誕時命御窯廠燒造的粉彩百鹿尊\u003c/p>\u003cp class=\"textAlignCenter\">器身繪以山水百鹿圖\u003c/p>\u003cp class=\"textAlignCenter\">自古以來\u003c/p>\u003cp class=\"textAlignCenter\">人們認為“滿招損，謙受益”\u003c/p>\u003cp class=\"textAlignCenter\">百鹿圖雖說百但不滿百\u003c/p>\u003cp class=\"textAlignCenter\">繪畫的紋飾也講究\u003c/p>\u003cp class=\"textAlignCenter\">“畫必有意，意必吉祥”\u003c/p>\u003cp class=\"textAlignCenter\">因鹿與“祿”同音\u003c/p>\u003cp class=\"textAlignCenter\">有百福百祿之意\u003c/p>\u003cp class=\"textAlignCenter\">繪以松樹 柏樹\u003c/p>\u003cp class=\"textAlignCenter\">寓意“松柏常青”\u003c/p>\u003cp class=\"textAlignCenter\">\u003cimg src=\"https://x0.ifengimg.com/ucms/2023_42/4604FBDFF9F5BB7E72566D6EE51283467CD33DF9_size71_w600_h900.jpg\" />\u003c/p>\u003cp class=\"textAlignCenter\">茶葉末釉屬景德鎮四大傳統名瓷之一的顏色釉瓷\u003c/p>\u003cp class=\"textAlignCenter\">是我國古代顏色釉瓷的重要品種之一\u003c/p>\u003cp class=\"textAlignCenter\">經高溫還原焰燒成\u003c/p>\u003cp class=\"textAlignCenter\">釉色黃綠摻雜好似茶葉細末\u003c/p>\u003cp class=\"textAlignCenter\">綠者稱茶 黃者稱末因此得名\u003c/p>\u003cp class=\"textAlignCenter\">茶葉末釉起源于唐代黑釉\u003c/p>\u003cp class=\"textAlignCenter\">據說是因燒制黑釉瓷時窯變\u003c/p>\u003cp class=\"textAlignCenter\">而出現的特殊品種\u003c/p>\u003cp class=\"textAlignCenter\">清代茶葉末釉制品\u003c/p>\u003cp class=\"textAlignCenter\">以雍正和乾隆時期最為多見\u003c/p>\u003cp class=\"textAlignCenter\">“匠從八方來，器成天下走”\u003c/p>\u003cp class=\"textAlignCenter\">傳統陶瓷文化的積淀\u003c/p>\u003cp class=\"textAlignCenter\">鑄就了“千年瓷都”景德鎮\u003c/p>\u003cp class=\"textAlignCenter\">獨特的魅力與藝術氣息\u003c/p>\u003cp class=\"textAlignCenter\">這座“千年瓷都”\u003c/p>\u003cp 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景德鎮
一座在中國乃至世界版圖上
都獨一無二的城市
1000余年前
這里因出產的瓷器
“明如鏡、薄如紙、聲如磬”
被宋真宗以年號“景德”賜名延續至今
千百年來
一雙雙能工巧匠之手
通過“七十二道工序”
演繹出泥與火之歌
創造了無數令人嘆為觀止的藝術
穿越千年歷史
瓷——仍是這座城市最鮮明的標識
今天跟隨《如果文物會說話》
聽聽景德鎮中國陶瓷博物館的文物
講述它們的故事
元青花存世量稀少 非常珍貴
沿著綿延萬千公里的陸上和海上絲綢之路
來自阿拉伯地區的蘇麻離青
和景德鎮能工巧匠的高超工藝結合
成就了青花瓷器的雅致
這件青花纏枝牡丹紋梅瓶
自上而下繪有五層紋飾
分別是覆蓮瓣紋內繪八寶紋 纏枝蓮紋
纏枝牡丹紋 卷草紋以及仰蓮瓣紋
這件乾隆時期的粉彩鏤空蟠螭福壽字雙耳瓶
也稱轉心瓶
它由內外兩層構成
外層用釉上粉彩工藝與鏤空工藝相結合
腹部鏤雕壽字
在壽字的中間鏤雕福字
寓意福壽雙全
透過鏤空可以看到
里面有一個繪有花卉紋飾的青花瓷
這件作品工藝繁復 色彩濃艷明麗
足以體現乾隆時期制瓷工藝的精 巧 奇
天青色等煙雨 而我在等你
深究這里面的“天青”色
它所指的其實不是青花瓷
而是它
這件清代的天青釉梅瓶
深受大家喜愛
景德鎮四大名瓷之一的粉彩瓷
不同于其它彩瓷
它擁有著粉潤柔和的美感
以及層次鮮明的立體感
乾隆壽誕時命御窯廠燒造的粉彩百鹿尊
器身繪以山水百鹿圖
自古以來
人們認為“滿招損，謙受益”
百鹿圖雖說百但不滿百
繪畫的紋飾也講究
“畫必有意，意必吉祥”
因鹿與“祿”同音
有百福百祿之意
繪以松樹 柏樹
寓意“松柏常青”
茶葉末釉屬景德鎮四大傳統名瓷之一的顏色釉瓷
是我國古代顏色釉瓷的重要品種之一
經高溫還原焰燒成
釉色黃綠摻雜好似茶葉細末
綠者稱茶 黃者稱末因此得名
茶葉末釉起源于唐代黑釉
據說是因燒制黑釉瓷時窯變
而出現的特殊品種
清代茶葉末釉制品
以雍正和乾隆時期最為多見
“匠從八方來，器成天下走”
傳統陶瓷文化的積淀
鑄就了“千年瓷都”景德鎮
獨特的魅力與藝術氣息
這座“千年瓷都”
成為世界體驗中國發展、感知中國文化的新窗口
文化自信的窯火
在傳承和創新中燃起新的生命
策劃：錢彤 周紅軍
監制：萬方 邱黎
統籌：戴艷 唐子蘭
執行策劃：袁晗
文案：別培輝 王中慶
鳴謝：景德鎮中國陶瓷博物館
新華網新聞中心 新華網江西頻道
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